Archive for June, 2008
Until The Last Moment – Yanni Live! The Concert Event
June 25th, 2008 | Author: admin
Until The Last Moment – Yanni Live! The Concert Event … Until The Last Moment Yanni Live! Concert Event Video
By: marcielsantos
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By: marcielsantos
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Jacques Brel – Jef (live concert 1964)
June 19th, 2008 | Author: admin
the legendary INTENSE performer Jacques Brel, doing his “Jef” (Live concert 1964, B&W image, Dutch subtitles) In case people don’t know : Jacques Brel was a Belgian singer who sang in French (and also a little in Dutch), had tremendous success in France and French speaking audiences. He wrote unforgettable songs, both music and lyrics, and was a brilliant performer. His most famous song is “Ne me quitte pas”, covered in several other languages, like in English as “If you go away” by many …
By: wimpers
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By: wimpers
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Kingston Trio – Tom Dooley
June 16th, 2008 | Author: admin
This song was #1 on the Billboard music charts around this time 50 years ago. This also won the Grammy for best Country/Western performance in 1958, since there was no “folk” category. This helped launch the Trio’s stardom and started a legacy that is still living today. … kingston trio tom dooley billboard music charts folk american
By: HaulAwayJoe
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By: HaulAwayJoe
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Michael Jackson Died King of PoP News Report.’ALWAYS ALIVE IN PEOPLE HEARTS WE LOVE YOU’ R.I.P
June 12th, 2008 | Author: admin
“We’ve just learned Michael Jackson has died. He was 50. Michael suffered a cardiac arrest earlier this afternoon at his Holmby Hills home and paramedics were unable to revive him. We’re told when paramedics arrived Jackson had no pulse and they never got a pulse back. A source tells us Jackson was dead when paramedics arrived. A cardiologist at UCLA tells TMZ Jackson died of cardiac arrest. Once at the hospital, the staff tried to resuscitate him but he was completely unresponsive. We’re …
By: BritainsGotTalent4U
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By: BritainsGotTalent4U
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New Wave Of British Heavy Metal Memories
June 8th, 2008 | Author: admin
Do you remember the new wave of British heavy metal. A musical movement originating in the late 1970s which almost overnight catapulted a seemingly endless supply of British heavy metal bands on the road to either superstardom or obscurity.
If you were a teenager in Britain during the late 1970s or early 1980s with a fondness for rock music you surely must remember as it gathered momentum and became affection ally known as NWOBHM.
The new wave of British heavy metal saw the emergence of bands which went on to become global stars of their craft. Examples including Iron Maiden and Def Leppard who even now some thirty years later continue at the top of their game selling millions of albums every year.
Some other NWOBHM stalwarts still recording or touring today include Saxon, Motorhead, Girlshchool , Diamond Head and Praying Mantis. And not forgetting the much missed White Spirit. Band personnel were reasonably fluid and interchangeable as well as I recall. Like Janick Gers starting out as a Ritchie Blackmore impersonator with White Spirit before getting the call to join Gillan and then ending up in Iron Maiden. Long time Maiden singer Bruce Dickinson used to ply his trade singing with another NWOBHM act by the name of Samson.
Many bands associated with the new wave of British heavy metal had their fifteen minutes of fame before disappearing in to smoke as quickly as they burst on to the scene. Some examples here being Mythra, Varis, Zorro and literally hundreds of others.
Early recordings by NWOBHM bands are these days extremely collectable if you can find them. Way back in my youth my record collection was full of singles and albums by many NWOBHM bands most of which have been lost or otherwise misplaced over the subsequent decades. If only I still had them.
If, like me, you do recall NWOBHM and are still slightly stuck in the past I wager your CD collection is sprinkled with reissues from the good old days which when played bring back hazy memories of nights spent in obscure venues watching equally obscure bands trying to make it big.
We probably will not see the likes of the new wave of British heavy metal again. The mid-1980s saw the decline of NWOBHM with the emergence of the glam rock scene epitomised by the likes of Motley Crue, Ratt and others. But it wasn’t quite the same was it. Glam rock had its moments though could never match the earthy grit of the new wave of British heavy metal.
Some of my earliest recollections of those ways are seeing Iron Maiden open for Judas Priest, Def Leppard supporting Sammy Hagar and travelling quite some way to watch Praying Mantis on a support slot with Gamma fronted by the great Ronnie Montrose.
I hope this short article has triggered a few NWOBHM memories for you and sent you scurrying up to the attic to see if you still have that rare pressing of Death and Destiny by Mythra.
By: Andy Machin
About the Author:
If you were a teenager in Britain during the late 1970s or early 1980s with a fondness for rock music you surely must remember as it gathered momentum and became affection ally known as NWOBHM.
The new wave of British heavy metal saw the emergence of bands which went on to become global stars of their craft. Examples including Iron Maiden and Def Leppard who even now some thirty years later continue at the top of their game selling millions of albums every year.
Some other NWOBHM stalwarts still recording or touring today include Saxon, Motorhead, Girlshchool , Diamond Head and Praying Mantis. And not forgetting the much missed White Spirit. Band personnel were reasonably fluid and interchangeable as well as I recall. Like Janick Gers starting out as a Ritchie Blackmore impersonator with White Spirit before getting the call to join Gillan and then ending up in Iron Maiden. Long time Maiden singer Bruce Dickinson used to ply his trade singing with another NWOBHM act by the name of Samson.
Many bands associated with the new wave of British heavy metal had their fifteen minutes of fame before disappearing in to smoke as quickly as they burst on to the scene. Some examples here being Mythra, Varis, Zorro and literally hundreds of others.
Early recordings by NWOBHM bands are these days extremely collectable if you can find them. Way back in my youth my record collection was full of singles and albums by many NWOBHM bands most of which have been lost or otherwise misplaced over the subsequent decades. If only I still had them.
If, like me, you do recall NWOBHM and are still slightly stuck in the past I wager your CD collection is sprinkled with reissues from the good old days which when played bring back hazy memories of nights spent in obscure venues watching equally obscure bands trying to make it big.
We probably will not see the likes of the new wave of British heavy metal again. The mid-1980s saw the decline of NWOBHM with the emergence of the glam rock scene epitomised by the likes of Motley Crue, Ratt and others. But it wasn’t quite the same was it. Glam rock had its moments though could never match the earthy grit of the new wave of British heavy metal.
Some of my earliest recollections of those ways are seeing Iron Maiden open for Judas Priest, Def Leppard supporting Sammy Hagar and travelling quite some way to watch Praying Mantis on a support slot with Gamma fronted by the great Ronnie Montrose.
I hope this short article has triggered a few NWOBHM memories for you and sent you scurrying up to the attic to see if you still have that rare pressing of Death and Destiny by Mythra.
By: Andy Machin
About the Author:
Watch videos from the New Wave Of British Heavy Metal on your computer. Visit http://www.newwaveofbritishheavymetal.com to search for videos of your favourite NWOBHM band.
Attract Superstar Interviews to Agree to an Interview
June 8th, 2008 | Author: admin
When trying to get experts to agree to an interview you want to attract them to what you are doing. Basically, what’s in it for them is free advertising, it’s free publicity, it’s free exposure, and it’s free distribution. They do trade a little bit of their time for it, but it’s basically free. It is easy for them and you’re not asking them to write the interview.
I get approached from people who say they’d like to do an interview with me and they submit me maybe 20 questions that I have to write the answers to. I’m not going to do that, it takes way too long. It’s hard to write, but it’s easy to do an audio interview so it’s not a big deal for an expert to do it.
Plus, people love to talk about themselves. Whoever is listening, whatever expertise you are in, whatever you are passionate about, how many people do you really know who just love talking about what you love. So having someone who is really interested and be willing to listen and brag and talk about yourself, you know people will do it free just for that.
These are some reasons why people will do an interview. Then the higher profile people generally, they are the nicest people out there. There may be some cases where they weren’t nice but they are professionals and they are really nice and the real experts they like helping people out. They probably struggled from the beginning; they could probably see you in them of when they were getting started.
People like to help other people even if you say, “Can you help me out. I’m a nobody, I’ve got no Web site, but I want to do something with this interview, would you honor me to let me interview you and spend an hour on the phone with you.” You’d be surprised all you have to do is ask.
I think once you get them to agree to do the interview then you can kind of go over the outline of what is going to happen and you set the criteria. I guess if they are super busy, yeah, you could go over. You could go over and you could make an agreement with them. “Hey, we’re scheduled for 20 minutes; if it goes over would you be willing to do a Part 2 with me?” They may say yes or they may say no. Even if you have a very high profile person just to do 20 minutes, that is valuable. It could be 20 minutes of a couple great ideas.
But what else is really valuable? It could be being able to use their name on your Web site or in your promotion. That name could lead you to another interview. You know I interviewed John Carlton and I bet I can go get an interview with Clayton Makepeace. “Hey, Clayton, I’m Michael Senoff, I’ve interviewed John Carlton, Bob Blye, Joe Vitalie, a couple other copywriters,” which he knows, “would you like to be part of the copywriting interview series?” Why would he say no?
So you can use your interviews as proof to climb up to higher and higher levels. Definitely.
By: Michael Senoff
About the Author:
I get approached from people who say they’d like to do an interview with me and they submit me maybe 20 questions that I have to write the answers to. I’m not going to do that, it takes way too long. It’s hard to write, but it’s easy to do an audio interview so it’s not a big deal for an expert to do it.
Plus, people love to talk about themselves. Whoever is listening, whatever expertise you are in, whatever you are passionate about, how many people do you really know who just love talking about what you love. So having someone who is really interested and be willing to listen and brag and talk about yourself, you know people will do it free just for that.
These are some reasons why people will do an interview. Then the higher profile people generally, they are the nicest people out there. There may be some cases where they weren’t nice but they are professionals and they are really nice and the real experts they like helping people out. They probably struggled from the beginning; they could probably see you in them of when they were getting started.
People like to help other people even if you say, “Can you help me out. I’m a nobody, I’ve got no Web site, but I want to do something with this interview, would you honor me to let me interview you and spend an hour on the phone with you.” You’d be surprised all you have to do is ask.
I think once you get them to agree to do the interview then you can kind of go over the outline of what is going to happen and you set the criteria. I guess if they are super busy, yeah, you could go over. You could go over and you could make an agreement with them. “Hey, we’re scheduled for 20 minutes; if it goes over would you be willing to do a Part 2 with me?” They may say yes or they may say no. Even if you have a very high profile person just to do 20 minutes, that is valuable. It could be 20 minutes of a couple great ideas.
But what else is really valuable? It could be being able to use their name on your Web site or in your promotion. That name could lead you to another interview. You know I interviewed John Carlton and I bet I can go get an interview with Clayton Makepeace. “Hey, Clayton, I’m Michael Senoff, I’ve interviewed John Carlton, Bob Blye, Joe Vitalie, a couple other copywriters,” which he knows, “would you like to be part of the copywriting interview series?” Why would he say no?
So you can use your interviews as proof to climb up to higher and higher levels. Definitely.
By: Michael Senoff
About the Author:
Michael Senoff is a sought-after Internet marketer, interviewer and business coach with more than 50,000 students on four continents. For a limited time he is giving away free over 120 hours of in-depth audio interviews with some of the richest and most successful marketers, copywriters and business experts in the world at his famous website http://hardtofindseminars.com
The Beatles White Album in Mono – Classic Double Album to Be Released in Mono in US For the 1st Time
June 2nd, 2008 | Author: admin
My Favorite Album Of All Time
The White Album is my favorite album ever (by The Beatles or anyone else.) I love it because of all of the different styles of music on it. I love it because of all of the brilliant songs. I love it because of it’s imperfections (”Don’t Pass Me By” comes to mind.) And yes, I love “Revolution #9.”
The Last Beatles Album Mixed In Mono
For most of The Beatles career mono was the standard and the stereo mix was something that was done as an afterthought. The band (and the producers and engineers) worked to get the mono mix just perfect and then would throw together the stereo mix rather quickly, sometimes in a very experimental fashion (as stereo was still very new, people were trying things out to see what worked.) But by 1968 mono was getting phased out and The White Album was The Beatles final album mixed in mono. Their last three albums (Yellow Submarine,
By: Jackson Weinheimer
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The White Album is my favorite album ever (by The Beatles or anyone else.) I love it because of all of the different styles of music on it. I love it because of all of the brilliant songs. I love it because of it’s imperfections (”Don’t Pass Me By” comes to mind.) And yes, I love “Revolution #9.”
The Last Beatles Album Mixed In Mono
For most of The Beatles career mono was the standard and the stereo mix was something that was done as an afterthought. The band (and the producers and engineers) worked to get the mono mix just perfect and then would throw together the stereo mix rather quickly, sometimes in a very experimental fashion (as stereo was still very new, people were trying things out to see what worked.) But by 1968 mono was getting phased out and The White Album was The Beatles final album mixed in mono. Their last three albums (Yellow Submarine,
By: Jackson Weinheimer
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The White Album in mono will not be available for individual purchase, instead it will be included as one of the 10 Beatles albums (all with original mono mixes) in the Beatles Mono Box Set
CLICK HERE to learn more about this mono box set (which includes The White Album in mono on CD for the first time ever) including how you can order it online 24/7/365.
1983- LEBANON INTERNATIONAL HIT-PARADE /CHARTS PART 3/5
June 1st, 2008 | Author: admin
THE LEBANESE HIT PARADE MUSIC CHARTS FROM ALL OVER THE WORLD , THE BIGGEST HIT OF THE YEAR 1983 IN LEBANON ONLY !! TOP 100 END OF THE YEAR CHARTS ( FROM 60 TO 41 ) INCLUDES : GENESIS,PAT BENATOR,REAL LIFE,VERONIQUE JANNOT,ROD STEWART,BILLY JOEL,CHAKA KHAN … LEBANON 1983 MUSIC CHARTS HIT-PARADE GENESIS CHAKA KHAN BILLY JOEL ROD STEWART PAT BENATOR CULTURE CLUB VERONIQUE JANNOT MICHAEL JACKSON UB40 SPANDAU BALLET CORINNE HERMES THE ROMANTICS REAL LIFE CHANTAL GOYA MARYSE WHAM MADONNA SHORTS …
By: yohane27
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By: yohane27
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How to Fall in Love With Audio Interviews
June 1st, 2008 | Author: admin
I want you to fall in love. In love with recording audio interviews. And I’m going to tell you if you want to make money doing something you love, you should do audio interviews. With Audio Interviews you can package them and sell them.
I’m going to give you a perfect example about how to do this. There’s a website called Tunecore and these guys are doing exactly what I’m teaching. I have no idea who they are, but they have all kinds of information products, audio downloads, they interview experts and the gentleman who asked this, he loves musicians, I would say start interviewing musicians. Let’s say he interviews ten musicians about their career as a musician. What do you think someone will pay more for?
Those two interviews with those musicians and what they love about their career and what their life is like and how many gigs they play? Or what if you did ten interviews for musicians on how to get a number one song or how to do mastering; how to master your songs. Or how to do marketing or how to publish your digital music. An interview on vinyl, creating vinyl records and selling old LPs. Or mixing your music for the best potential sales on copyright issues.
These are subjects that the business of the music industry, I think, would have a lot more appeal and bring a higher dollar volume than actually the lifestyles of different musicians.
So I would tell him start interviewing experts within the business music industry. It’s a huge niche. These guys, I remember looking at what of their seminars because these guys – their niche – is teaching about publishing your digital songs so musicians who create a series of songs it’s not really all about albums anymore, it’s about that one track, that one hit, and it’s about how to market your song.
It was interesting to me because I wanted to learn from music about how to get distribution on an audio interview. It’s not music but it’s still an audio content and their distribution system would work the same way for me and I’ve looked at their seminar. They were selling an online training for about $10,000. So I would tell this guy, go to Tunecore, look at what they’re doing and model it. Their niche is digital music. Maybe you can model something for maybe vinyl music, LPs. I think albums are getting back in fashion with a lot of the younger kids today.
By: Michael Senoff
About the Author:
I’m going to give you a perfect example about how to do this. There’s a website called Tunecore and these guys are doing exactly what I’m teaching. I have no idea who they are, but they have all kinds of information products, audio downloads, they interview experts and the gentleman who asked this, he loves musicians, I would say start interviewing musicians. Let’s say he interviews ten musicians about their career as a musician. What do you think someone will pay more for?
Those two interviews with those musicians and what they love about their career and what their life is like and how many gigs they play? Or what if you did ten interviews for musicians on how to get a number one song or how to do mastering; how to master your songs. Or how to do marketing or how to publish your digital music. An interview on vinyl, creating vinyl records and selling old LPs. Or mixing your music for the best potential sales on copyright issues.
These are subjects that the business of the music industry, I think, would have a lot more appeal and bring a higher dollar volume than actually the lifestyles of different musicians.
So I would tell him start interviewing experts within the business music industry. It’s a huge niche. These guys, I remember looking at what of their seminars because these guys – their niche – is teaching about publishing your digital songs so musicians who create a series of songs it’s not really all about albums anymore, it’s about that one track, that one hit, and it’s about how to market your song.
It was interesting to me because I wanted to learn from music about how to get distribution on an audio interview. It’s not music but it’s still an audio content and their distribution system would work the same way for me and I’ve looked at their seminar. They were selling an online training for about $10,000. So I would tell this guy, go to Tunecore, look at what they’re doing and model it. Their niche is digital music. Maybe you can model something for maybe vinyl music, LPs. I think albums are getting back in fashion with a lot of the younger kids today.
By: Michael Senoff
About the Author:
Michael Senoff is a sought-after Internet marketer, interviewer and business coach with more than 50,000 students on four continents. For a limited time he is giving away free over 120 hours of in-depth audio interviews with some of the richest and most successful marketers, copywriters and business experts in the world at his famous website http://hardtofindseminars.com