Archive for February, 2009
Dubai Lime Music Video 18
February 27th, 2009 | Author: admin
This is the video from the Dubai lime jam at Central Perk coffee shop in Dubai Marina in April 2006 – A number of new musicians played at the event which marked the opening of the new Central Perk coffee shop at the Waves, Damacs new residential tower. All of the video’s and interviews of musicians are available at dubailime.com for your viewing pleasure. Also check out Dubai lime to get free access to lots of VIP events in and around Dubai – its simply the greatest coolest thing you can do …
By: Dubailime
About the Author:
By: Dubailime
About the Author:
Starbreaker Releases Love’s Dying Wish
February 26th, 2009 | Author: admin
If you’re a fan of 80’s metal, you no doubt remember TNT. But if you have no idea who TNT is, here’s a little history lesson from the days when bands had long, flowing hair, wore skin-tight pants, had legions of women falling at their feet, and had songs that ruled the airwaves and MTV.
TNT, a Norwegian rock/glam metal band, formed in 1982. It rose to popularity when in 1984 American singer Tony Harnell became its lead singer and TNT released its second album “Knights of New Thunder”. The album was a great success in Norway and TNT was offered a deal with Mercury/Polygram Records in the U.S. In 1985, “Knights” was released in the U.S. and in the era of “I want my MTV”, TNT’s music video Seven Seas was frequently played on MTV, bringing TNT’s sound and look to audiences worldwide.
In 1987, TNT recorded a new album, which produced TNT’s hit single 10,000 Lovers In One. With Harnell at the helm, TNT released a dozen albums, including live recordings in Tokyo and Madrid.
While still with TNT, in 2004 Harnell formed Starbreaker with guitarist Magnus Karlsson (Allen/Lande, Primal Fear), bassist Fabrizio Grossi (GlennHughes, House of Lords), and drummer John Macaluso (Malmsteen, TNT, Ark). Starbreaker released its self-titled debut album in 2005 and with Harnell and Macaluso both of TNT, the album received worldwide acclaim, particularly with its already built-in fan base.
In 2006, Harnell left TNT, taking time to spend with family and to work on projects, including Starbreaker’s second album, “Love’s Dying Wish”. Harnell said, “We all love this album. I think it’s another example of blending the old school sound with something brand new and it’s probably the darkest album I have ever done. In saying that, though, it is quite beautiful in its darkness.”
New to Starbreaker is bassist Jonni Lightfoot who replaced Fabrizio Grossi. Lightfoot is a touring and recording veteran with extensive credits to his name, including his own CDs Copper Street Fair, Pendulum and Blu.
“Jonni has been a great addition to the project!,” said Harnell. “With his aggressive yet tastefully melodic playing, warm tone and flawless technique, not to mention his goofy sense of humor, he fits in perfectly!”
Lightfoot added, “Joining the band has been a dream come true. Tony is one of my favorite singers of all time, and getting the chance to work with him is amazing! Magnus and John are also top notch musicians and it’s an honor for me to play with all these guys. When I got the call to do the album I was very giddy. I have always wanted to do an album like ‘Love’s Dying Wish’”.
Frontiers Records says, “‘Love’s Dying Wish’ is a very special album that progresses from where the Starbreaker debut left off. With a fresh diversity that spans from pounding metal, to deep moody passages wrapped in a dark and beautifully melodic package. The stunning talents of Harnell and Karlsson are on display in spades with electrifying performances and stellar song writing. These two have truly developed a unique and timeless sound together. Simply brilliant, ‘Love’s Dying Wish’ is going to blow away both old and new fans.”
Written and produced by Harnell and Karlsson, the album was mixed by producer Tommy Hansen (TNT, Jorn, Pretty Maids, Helloween).
“Love’s Dying Wish” includes the tracks End Of Alone; Evaporate; Love’s Dying Wish; Unknown Superstar; Hide; Building A Wall; Beautiful Disaster; Live Your Life; Hello, Are You Listening?; Changes Me; The Day Belongs To Us; and This Close.
Released in Europe on August 1st, 2008, “Love’s Dying Wish” is expected to be released in the U.S. on November 18th, 2008.
“Love’s Dying Wish” has received fantastic reviews since its European release:
KERRANG! “Tony Harnell stands alongside Rob Halford, Bruce Dickinson and Geoff Tate as one of the most talented singers of all time”
Melodic Rock “There simply are no secondary songs. Every track is a winner and the ones with seemingly less melodic drive are perfect foil for the songs that follow and in their own way have embedded melodies that grow on you with time, showing the true depth of the material here.”
METAL-UNDERGROUND.de “A good mixture of Melodic Rock/Metal with a breeze of Gothic and bombastic elements.”
MUSIX magazine “Beautiful harmonies combined with heavy tunes are making this record a must-have for every single melodic Fan!”
SQUEALER-ROCKS.de “Once again a killer album with a killer title song! If you don’t buy this record: shame on you!”
ROCKS magazine “Big, rhythmic guitar riffs, exciting solos and huge melodies with a perfect sound.”
ROCK IT magazine “Awesome record, the title track is destined to become a classic!”
Tony Harnell’s vocals blow me away and Jonni Lightfoot is an energetic and gifted guitarist who is a great addition to Starbreaker. I’ve never listened to anything like “Love’s Dying Wish” and wasn’t familiar with Harnell or TNT. After hearing Harnell’s superb melodies and somewhat haunting evocation, I am flooded by a new sense of musicality. “Love’s Dying Wish” deserves, and has, Four stars (Tony, Magnus, John and Jonni)!
By: Betsy Hijazi
About the Author:
TNT, a Norwegian rock/glam metal band, formed in 1982. It rose to popularity when in 1984 American singer Tony Harnell became its lead singer and TNT released its second album “Knights of New Thunder”. The album was a great success in Norway and TNT was offered a deal with Mercury/Polygram Records in the U.S. In 1985, “Knights” was released in the U.S. and in the era of “I want my MTV”, TNT’s music video Seven Seas was frequently played on MTV, bringing TNT’s sound and look to audiences worldwide.
In 1987, TNT recorded a new album, which produced TNT’s hit single 10,000 Lovers In One. With Harnell at the helm, TNT released a dozen albums, including live recordings in Tokyo and Madrid.
While still with TNT, in 2004 Harnell formed Starbreaker with guitarist Magnus Karlsson (Allen/Lande, Primal Fear), bassist Fabrizio Grossi (GlennHughes, House of Lords), and drummer John Macaluso (Malmsteen, TNT, Ark). Starbreaker released its self-titled debut album in 2005 and with Harnell and Macaluso both of TNT, the album received worldwide acclaim, particularly with its already built-in fan base.
In 2006, Harnell left TNT, taking time to spend with family and to work on projects, including Starbreaker’s second album, “Love’s Dying Wish”. Harnell said, “We all love this album. I think it’s another example of blending the old school sound with something brand new and it’s probably the darkest album I have ever done. In saying that, though, it is quite beautiful in its darkness.”
New to Starbreaker is bassist Jonni Lightfoot who replaced Fabrizio Grossi. Lightfoot is a touring and recording veteran with extensive credits to his name, including his own CDs Copper Street Fair, Pendulum and Blu.
“Jonni has been a great addition to the project!,” said Harnell. “With his aggressive yet tastefully melodic playing, warm tone and flawless technique, not to mention his goofy sense of humor, he fits in perfectly!”
Lightfoot added, “Joining the band has been a dream come true. Tony is one of my favorite singers of all time, and getting the chance to work with him is amazing! Magnus and John are also top notch musicians and it’s an honor for me to play with all these guys. When I got the call to do the album I was very giddy. I have always wanted to do an album like ‘Love’s Dying Wish’”.
Frontiers Records says, “‘Love’s Dying Wish’ is a very special album that progresses from where the Starbreaker debut left off. With a fresh diversity that spans from pounding metal, to deep moody passages wrapped in a dark and beautifully melodic package. The stunning talents of Harnell and Karlsson are on display in spades with electrifying performances and stellar song writing. These two have truly developed a unique and timeless sound together. Simply brilliant, ‘Love’s Dying Wish’ is going to blow away both old and new fans.”
Written and produced by Harnell and Karlsson, the album was mixed by producer Tommy Hansen (TNT, Jorn, Pretty Maids, Helloween).
“Love’s Dying Wish” includes the tracks End Of Alone; Evaporate; Love’s Dying Wish; Unknown Superstar; Hide; Building A Wall; Beautiful Disaster; Live Your Life; Hello, Are You Listening?; Changes Me; The Day Belongs To Us; and This Close.
Released in Europe on August 1st, 2008, “Love’s Dying Wish” is expected to be released in the U.S. on November 18th, 2008.
“Love’s Dying Wish” has received fantastic reviews since its European release:
KERRANG! “Tony Harnell stands alongside Rob Halford, Bruce Dickinson and Geoff Tate as one of the most talented singers of all time”
Melodic Rock “There simply are no secondary songs. Every track is a winner and the ones with seemingly less melodic drive are perfect foil for the songs that follow and in their own way have embedded melodies that grow on you with time, showing the true depth of the material here.”
METAL-UNDERGROUND.de “A good mixture of Melodic Rock/Metal with a breeze of Gothic and bombastic elements.”
MUSIX magazine “Beautiful harmonies combined with heavy tunes are making this record a must-have for every single melodic Fan!”
SQUEALER-ROCKS.de “Once again a killer album with a killer title song! If you don’t buy this record: shame on you!”
ROCKS magazine “Big, rhythmic guitar riffs, exciting solos and huge melodies with a perfect sound.”
ROCK IT magazine “Awesome record, the title track is destined to become a classic!”
Tony Harnell’s vocals blow me away and Jonni Lightfoot is an energetic and gifted guitarist who is a great addition to Starbreaker. I’ve never listened to anything like “Love’s Dying Wish” and wasn’t familiar with Harnell or TNT. After hearing Harnell’s superb melodies and somewhat haunting evocation, I am flooded by a new sense of musicality. “Love’s Dying Wish” deserves, and has, Four stars (Tony, Magnus, John and Jonni)!
By: Betsy Hijazi
About the Author:
Betsy Hijazi’s blogs include http://www.BetsysView.com and http://www.AirSupplyBlog.com
10 Teacher Interview Questions YOU Should Ask During Your Next Teacher Interview
February 26th, 2009 | Author: admin
There is no question that the competition for teaching jobs is extremely tough. I have sat on teacher interview committees where we had narrowed it down to four people for the open teaching position and it broke my heart that I had to tell three of them they did not get the job despite being excellent teachers.
If you are getting calls for interviews, but you are not able to seal the deal and secure yourself a teaching position, you need to look at every aspect of the interview…you need to do every little thing to separate yourself from the intense competition.
There are many things teachers should do during the interview, but one of the most overlooked is asking questions of the interview committee.
I am always shocked at how many candidates simply do not do this…or don’t put as much emphasis on it as need be. By asking questions you are accomplishing two main goals. One, you are determining if this is actually the right teaching job for you, and two, you come off and giving the appearance of confidence…don’t underestimate this.
Also, by asking the correct questions at the correct time YOU begin to take over and control the job interview. The interview then becomes more of a two-way conversation between colleagues on the same level than it does a one-way interview in which the candidate is simply fielding questions from superiors.
I have always said that the best interviews are the ones that don’t “seem” like interviews…they felt natural…they felt more like conversations.
However, what questions you ask are also important. You don’t just want to ask questions for the sake of asking questions…you want to ask the right questions. And, by asking the right questions during your teacher interview you will separate yourself from the other candidates applying for the same teaching job.
Unfortunately, many people just can’t seem to come up with the right questions.
Here are 10 questions you should ask during your next teacher interview:
1. How many classes would I be teaching?
2. How many “preps” does this position require? (Remember, you may only be teaching 5 classes, but if you have four different “preps” for four different subjects you may be in trouble)
3. Would I have my own classroom? (Having to teach in different classrooms can make teaching much more difficult)
4. Do you have a teacher mentor program? (A teacher mentor program can be a new teacher’s saving grace, but veteran teachers can benefit from them as well)
5. Will I have opportunities for professional development? (You want to give the impression that you plan to grow professionally)
6. What type of access would I have to technology? (Grade book software, email, united streaming, etc.)
7. What duties are required of the position? (Lunch, hallway etc.)
8. What type of extracurricular activities can I get involved with?
9. How much planning time do teachers have? (Don’t ask this question first…it will come across as planning time is your most important question. However, planning time is important and different schools will have different amounts of time allotted for teacher planning so you should make sure you know before you accept any teaching job)
10. What is the school policy on inclusion?
Again, by asking questions during your interview you will establish an air of confidence about you. However, more importantly, you will determine if the school is truly a good match for YOU.
By: Adam Waxler
About the Author:
If you are getting calls for interviews, but you are not able to seal the deal and secure yourself a teaching position, you need to look at every aspect of the interview…you need to do every little thing to separate yourself from the intense competition.
There are many things teachers should do during the interview, but one of the most overlooked is asking questions of the interview committee.
I am always shocked at how many candidates simply do not do this…or don’t put as much emphasis on it as need be. By asking questions you are accomplishing two main goals. One, you are determining if this is actually the right teaching job for you, and two, you come off and giving the appearance of confidence…don’t underestimate this.
Also, by asking the correct questions at the correct time YOU begin to take over and control the job interview. The interview then becomes more of a two-way conversation between colleagues on the same level than it does a one-way interview in which the candidate is simply fielding questions from superiors.
I have always said that the best interviews are the ones that don’t “seem” like interviews…they felt natural…they felt more like conversations.
However, what questions you ask are also important. You don’t just want to ask questions for the sake of asking questions…you want to ask the right questions. And, by asking the right questions during your teacher interview you will separate yourself from the other candidates applying for the same teaching job.
Unfortunately, many people just can’t seem to come up with the right questions.
Here are 10 questions you should ask during your next teacher interview:
1. How many classes would I be teaching?
2. How many “preps” does this position require? (Remember, you may only be teaching 5 classes, but if you have four different “preps” for four different subjects you may be in trouble)
3. Would I have my own classroom? (Having to teach in different classrooms can make teaching much more difficult)
4. Do you have a teacher mentor program? (A teacher mentor program can be a new teacher’s saving grace, but veteran teachers can benefit from them as well)
5. Will I have opportunities for professional development? (You want to give the impression that you plan to grow professionally)
6. What type of access would I have to technology? (Grade book software, email, united streaming, etc.)
7. What duties are required of the position? (Lunch, hallway etc.)
8. What type of extracurricular activities can I get involved with?
9. How much planning time do teachers have? (Don’t ask this question first…it will come across as planning time is your most important question. However, planning time is important and different schools will have different amounts of time allotted for teacher planning so you should make sure you know before you accept any teaching job)
10. What is the school policy on inclusion?
Again, by asking questions during your interview you will establish an air of confidence about you. However, more importantly, you will determine if the school is truly a good match for YOU.
By: Adam Waxler
About the Author:
Want to know the 25 most common teacher interview questions AND ANSWERS? If you’re serious about getting a teaching job and want an unfair advantage over the competition then read “Your Basic Guide to Acing ANY Teacher Interview” @ http://www.TeacherInterviewTips.com.
Discovering Modern Greek Music.
February 25th, 2009 | Author: admin
If you love your pop music, then you will find all sorts of music that you love if you travel through Europe. I’ve been a rep for dozens of different holiday companies in five or six different coutries across europe over the last ten or so years. It’s fascinating to hear the different music that’s popular in different countries. People just assume that the area of their destination will specialise in the same old Euro pop, and first listen would give that indication, but if you’re like me and you hear the stuff for months on end, you become somewhat of an expert!
For instance, the music that you hear in the clubs of France is very different from the club music in Spain. Spain really plumbs the depths to be honest, and I was glad when I was away from there!
My favourite Europeean music definitely comes from Greece. I was working in a lovely resort on the coast of the mainland last year and I had such a great time. The locals were great and they loved their music! Their Greek radio was fantastic with new and old greek music being played. I used to listen in at night, trying to pick up bits of the language, but I never learnt more than the usual niceties you generally pick up over the course of a season. My job that year also included a stint behind the bar of our resort bar, and I got to control the music we played from the internet. Despite sometimes missing music from home I tended to listen to greek music online. Maybe it was because I knew that the locals would be high spirited, and when they want to party, they party better than any other nation in the world! Whatever the reason, there was something addictive about that beautiful greek music.
"Hands" Will Make Little Boots the Most Talked About Download
February 24th, 2009 | Author: admin
With a mix of 80’s synth and cool railway arch acoustics Little Boots the pop back in pop music with their new album, “Hands”. It has original music with a fresh voice, Hesketh blends a mixture of emotions with lyrical sensuality. She writes, plays and sings her own songs, and she is not drowned out by background music and sound effects. Her songs have a feel good energy that will have you swaying to the beat.
Hesketh seems to carry reference to her Do-It-Yourself style. The album is electro-pop, but not geared soley towards a teenage audience. The lead track, “New in Town” is bold and unique, and “Mathematics”, uses math as a metaphor to love.
This synth geek has received positive reviews from music critics for Hands, which is projected to turn into rave reviews in the pop music lovers population, especially for fans from her Dead Disco days. It is no small feat that she debuted on a Victoria Secret commercial with her song Meddle. It has been just barely a year since her solo project began, and she is already UK pop musics most talked about new star.
Little Boots is reviving the pop music cultures credibility with music that is not too serious, a bit playful, and ultimately enticing. Heskeths confidence is infectious, and far reaching to fans of her music, with a simple just doing it on a shoestring budget attitude that rivals the Miley Cirrus sensation for a more mature and keeping it real audience.
The video simplicity adds to her attraction and image. She produces low budget videos and albums, with music in it’s purest form. With Heskeths genuine music scene, “Hands” is guaranteed to be an iPod sensation; or you can buy the CD once it hits shelves.
By: Patrick Daniels
About the Author:
Hesketh seems to carry reference to her Do-It-Yourself style. The album is electro-pop, but not geared soley towards a teenage audience. The lead track, “New in Town” is bold and unique, and “Mathematics”, uses math as a metaphor to love.
This synth geek has received positive reviews from music critics for Hands, which is projected to turn into rave reviews in the pop music lovers population, especially for fans from her Dead Disco days. It is no small feat that she debuted on a Victoria Secret commercial with her song Meddle. It has been just barely a year since her solo project began, and she is already UK pop musics most talked about new star.
Little Boots is reviving the pop music cultures credibility with music that is not too serious, a bit playful, and ultimately enticing. Heskeths confidence is infectious, and far reaching to fans of her music, with a simple just doing it on a shoestring budget attitude that rivals the Miley Cirrus sensation for a more mature and keeping it real audience.
The video simplicity adds to her attraction and image. She produces low budget videos and albums, with music in it’s purest form. With Heskeths genuine music scene, “Hands” is guaranteed to be an iPod sensation; or you can buy the CD once it hits shelves.
By: Patrick Daniels
About the Author:
Little Boots – Hands, the newest CD, is already receiving rave reviews from music critics. To pre purchase your album of the New Little Boots CD shop at http://www.cdwow.com
Dubai Lime Jam Dubai Marina 19
February 18th, 2009 | Author: admin
This is the video from the Dubai lime jam at Central Perk coffee shop in Dubai Marina in April 2006 – A number of new musicians played at the event which marked the opening of the new Central Perk coffee shop at the Waves, Damacs new residential tower. All of the video’s and interviews of musicians are available at dubailime.com for your viewing pleasure. Also check out Dubai lime to get free access to lots of VIP events in and around Dubai – its simply the greatest coolest thing you can do …
By: Dubailime
About the Author:
By: Dubailime
About the Author:
Bobby Brown Ralph Tresvant BET Awards 2009
February 15th, 2009 | Author: admin
Bobby Brown interview with www.ExploreTalent.com Bobby Brown and Ralph Tresvant (New Edition, Heads Of State) interview from the BET Awards 2009 red carpet. Bobby and Ralph give a tribute to Michael Jackson and tips for up and coming new musicians. … “Bobby Brown” “Bobbi Brown” “Ralph Tresvant” “Bet Awards 2009″ “Michael Jackson Tribute” “BET Awards” “Michael Jackson” MJ “Music tips” “Musician Advice” “Ja Rule” “Don’t Be Cruel” “Every Little Step” “Frank Zappa” …
By: exploretalent
About the Author:
By: exploretalent
About the Author:
090809 SNSD (Girls’ Generation) VS Boy’s Generation Leg Dance
February 12th, 2009 | Author: admin
Video and Subs credits to Soshisubs and soshified.com visit kjpopbands.blogspot.com for more k pop news! … SNSD
By: kpopseries
About the Author:
By: kpopseries
About the Author:
Black Magic Woman
February 11th, 2009 | Author: admin
Recently attended a Pig Roast (drummer hosted), he had all his old bandmates and new musicians come and play all day- this is one of the imprompt Jams- turn it UP!! … santana Music jam Guitar Drums Bass party rock latin
By: sullyrock
About the Author:
By: sullyrock
About the Author:
Top 10 Mistakes Bands and Musicians Make
February 10th, 2009 | Author: admin
If you want to get a record deal, get people to your shows, or sell music like crazy, the answer isn’t some kind of “magic pill” website that you post your music on, blindly sending out a bunch of demos, or anything to do with having good music…although good music certainly helps — the answer is to develop a “mindset” that naturally attracts people to what you’re doing as well as an understanding of how the music business game is played.
As you develop as a person, your music career will develop with you. Sounds crazy, but it’s true…and I’ve seen it time and time again, with thousands of acts that I’ve worked with, from garage bands, to the guys selling out arenas. Check out these ten common music business mistakes:
10. Being Too Difficult (or Too Nice)
First of all, let’s get this clear… Just because you wrote a few good songs and recorded them, doesn’t mean that the world revolves around you. Lots of people write and record good songs, so get in line.
Contrary to what the online rumor mill or media would have you believe, people in the music business are involved because they love music…and they’re not making enough to deal with jerks. And they won’t deal with jerks. If you’re a pain, they’re just go to the next guy, who also writes good songs, but has a better attitude.
With that said, don’t be too nice. You don’t have to say yes to everything. Pick your battles. If there is something you really feel strongly about, don’t settle for anything less.
Bottom line: Keep your ego in check and behave with courtesy and respect. At the same time, don’t let anyone treat you any less.
9. Trying to Convince People of Anything…
You play music; you’re not in the convincing business. Either people get what you’re doing or they don’t.
So, some reviewer, booking agent or manager doesn’t like your new album. Let it go! Don’t try to convince him he’ll like is better after a second listen. He won’t. And the more you press him to give your music another shot, the more he’ll remember how annoying you were. This means he’ll be far less open to ever listening to you again.
There are a lot of people who won’t “hear it” when you approach them. So what? Move on. There are plenty of other people in this business who can help you. Go find the people who do “hear it” and put your energy into building good relationships with them instead.
8. Looking for Industry Approval
There was a time when the “industry” had a lot more pull when it came to breaking an artist, getting them distributed, and everything else. This is a new time, so we’re playing with different rules now.
Distribution is easy. Every day, more and more albums are being sold digitally, so you no longer need a label to finance pressing tens of thousands of physical albums (or more) and getting them to record stores.
These days, recording music is easier than ever. You can get a good
recording setup for just a few thousand dollars. And if you can’t afford recording equipment, there are plenty of people who have some, whom you can hire inexpensively. You are not limited on the number of options for getting something on tape.
But most importantly, once you get this stuff together, you don’t need the industry to tell you your music is worthy. The consumers, the people who buy your music, are really the only opinions that matter. And when you have the love of the consumers, the industry will come around.
The thing is, in the music industry, technology has changed faster than mindset. Stop believing you are at the mercy of any record label executive. You’re not. Connect directly with your fans–on your terms. The feedback, loyalty and money you receive from them will be far more gratifying than you spending your time beating your head against a wall trying to figure out a way to get an approving nod from a record label.
7. Not Building Strong Relationships with Fans
People aren’t stupid. They know that they’re being marketed to. They know when you’re looking to sell them something.
Do they mind? No.
In fact, if you have a good relationship with your fans, they won’t mind being marketed to and, if you do it well, they look forward to being marketed to.
However, they have to know you care.
Building relationships with fans take time. You have to show them you care.
Do things like:
* Give them a few free songs to download
* Have message board on your website and build a community there
* Do a “fan appreciation” show
* Record a holiday album that you give out to your fan club.
Show them in special ways that you, not only care, but that you’re willing to go the extra mile to show your appreciation. In turn, they will buy your music, travel to see you play, call radio stations on your behalf and promote you all over the Web.
Every day, no matter if you’re busy recording, on the road or at home worrying about how you’re going to find the money to make your project happen, do something (no matter how small the gesture is) to reach out to your fans.
6. Not “Getting” How the Fan/Artist Relationship Works
You’re the leader and your fans do the following. You make the offer, they choose whether or not to accept.
Take charge, record the music, play the shows, print the t-shirts, and let them have the options of buying your album, coming to see you, or getting something to wear.
The average person has enough “leadership” in his day. He’s looking for somebody to take control, and let him ride along for a little while. Do it.
5. Laying Everything on the Table…
You’re a rockstar. Keep that fantasy. Don’t tell people how broke you are, that you’re still living with your mother, or anything else that breaks the image of you fans have in their minds.
One of the reasons people like music is because they have the opportunity to live vicariously through the people they are listening to. When you are on stage, they’re up there with you. When you’re on the road in your tour bus, they’re riding shotgun. Don’t take that away.
Give them insight into your life and what it’s like in your world. However, be selective with the details. Always remember, you’re selling music, but you’re also selling a persona.
4. Thinking The Key to Success is Musical Talent, Money, or Looks
Yes, if we’re talking about pop music, MTV, or the major label system, a certain amount of a contrived “image” probably helps sell records.
Obviously, money helps things. And it’s always good if you can sing.
But it’s not “image” that gets somebody on MTV, it’s marketing. It’s not good songs that get people on the radio, it’s marketing. And it’s not money, although it helps. It’s marketing.
You can play well, have money, and look like a model, but if you don’t have the marketing to back you up, none of it matters.
You know what? If you do have a good, solid marketing plan in place (and you’re using it), everything else doesn’t matter so much.
3. Giving Up Power
Keep control as long as you can. Yes, a major label deal will give you opportunity that being on an indie label won’t. And a professional manager has connections that you don’t.
But when you sign with these guys, you’re handing over your career to somebody else. Nobody cares as much about your career than you do. When you and your talent are the most important commodity you have to offer, do not give up your power easily and without a damn good reason.
Your music is worth something. You are worth something. Think of your career as being “virtual real estate” which, if marketed correctly, will pay dividends for years to come. So, treat it like that.
2. Jumping at Every Opportunity
You don’t have to say yes to everything. In fact, sometimes, saying no to something can be more beneficial to your career than saying yes.
Why do you say yes to things? Take a look at your standards and make them higher. As an example, just because a club has a PA system doesn’t mean that it’s worth playing there.
There are some gigs that just aren’t worth playing. There are some
connections that just aren’t worth developing.
When you say yes to something, especially something that takes your time, you’re saying no to everything else. Leave yourself open to saying yes to the opportunities that really matter.
Trust your own judgment. If something doesn’t feel right and you want to say no, it’s ok to say no. At that moment, you may worry you’re passing up a great opportunity and will be missing out. The reality is, better opportunities (that are a better fit for you) will come and you will be ready for them.
1. Not Getting Help
You don’t know everything. This business has been around for a long time–long before you were involved.
Read books, get advice from people who work in the industry and keep studying every aspect of the industry.
Don’t be afraid to ask for help. You can bypass a lot of the problems you’re likely to run into simply by asking people who have already been in, and dealt with, the situations you find yourself in.
Remember this:
Time is worth more than money. You can always earn more money, but you have a limited amount of time.
Don’t waste your time. If you don’t know something, or need specific help, don’t be afraid to pay somebody to help you deal with whatever obstacle you face. Don’t let anything stop you from having all the knowledge and know-how you need to have the success you aspire to have.
By: David Hooper
About the Author:
As you develop as a person, your music career will develop with you. Sounds crazy, but it’s true…and I’ve seen it time and time again, with thousands of acts that I’ve worked with, from garage bands, to the guys selling out arenas. Check out these ten common music business mistakes:
10. Being Too Difficult (or Too Nice)
First of all, let’s get this clear… Just because you wrote a few good songs and recorded them, doesn’t mean that the world revolves around you. Lots of people write and record good songs, so get in line.
Contrary to what the online rumor mill or media would have you believe, people in the music business are involved because they love music…and they’re not making enough to deal with jerks. And they won’t deal with jerks. If you’re a pain, they’re just go to the next guy, who also writes good songs, but has a better attitude.
With that said, don’t be too nice. You don’t have to say yes to everything. Pick your battles. If there is something you really feel strongly about, don’t settle for anything less.
Bottom line: Keep your ego in check and behave with courtesy and respect. At the same time, don’t let anyone treat you any less.
9. Trying to Convince People of Anything…
You play music; you’re not in the convincing business. Either people get what you’re doing or they don’t.
So, some reviewer, booking agent or manager doesn’t like your new album. Let it go! Don’t try to convince him he’ll like is better after a second listen. He won’t. And the more you press him to give your music another shot, the more he’ll remember how annoying you were. This means he’ll be far less open to ever listening to you again.
There are a lot of people who won’t “hear it” when you approach them. So what? Move on. There are plenty of other people in this business who can help you. Go find the people who do “hear it” and put your energy into building good relationships with them instead.
8. Looking for Industry Approval
There was a time when the “industry” had a lot more pull when it came to breaking an artist, getting them distributed, and everything else. This is a new time, so we’re playing with different rules now.
Distribution is easy. Every day, more and more albums are being sold digitally, so you no longer need a label to finance pressing tens of thousands of physical albums (or more) and getting them to record stores.
These days, recording music is easier than ever. You can get a good
recording setup for just a few thousand dollars. And if you can’t afford recording equipment, there are plenty of people who have some, whom you can hire inexpensively. You are not limited on the number of options for getting something on tape.
But most importantly, once you get this stuff together, you don’t need the industry to tell you your music is worthy. The consumers, the people who buy your music, are really the only opinions that matter. And when you have the love of the consumers, the industry will come around.
The thing is, in the music industry, technology has changed faster than mindset. Stop believing you are at the mercy of any record label executive. You’re not. Connect directly with your fans–on your terms. The feedback, loyalty and money you receive from them will be far more gratifying than you spending your time beating your head against a wall trying to figure out a way to get an approving nod from a record label.
7. Not Building Strong Relationships with Fans
People aren’t stupid. They know that they’re being marketed to. They know when you’re looking to sell them something.
Do they mind? No.
In fact, if you have a good relationship with your fans, they won’t mind being marketed to and, if you do it well, they look forward to being marketed to.
However, they have to know you care.
Building relationships with fans take time. You have to show them you care.
Do things like:
* Give them a few free songs to download
* Have message board on your website and build a community there
* Do a “fan appreciation” show
* Record a holiday album that you give out to your fan club.
Show them in special ways that you, not only care, but that you’re willing to go the extra mile to show your appreciation. In turn, they will buy your music, travel to see you play, call radio stations on your behalf and promote you all over the Web.
Every day, no matter if you’re busy recording, on the road or at home worrying about how you’re going to find the money to make your project happen, do something (no matter how small the gesture is) to reach out to your fans.
6. Not “Getting” How the Fan/Artist Relationship Works
You’re the leader and your fans do the following. You make the offer, they choose whether or not to accept.
Take charge, record the music, play the shows, print the t-shirts, and let them have the options of buying your album, coming to see you, or getting something to wear.
The average person has enough “leadership” in his day. He’s looking for somebody to take control, and let him ride along for a little while. Do it.
5. Laying Everything on the Table…
You’re a rockstar. Keep that fantasy. Don’t tell people how broke you are, that you’re still living with your mother, or anything else that breaks the image of you fans have in their minds.
One of the reasons people like music is because they have the opportunity to live vicariously through the people they are listening to. When you are on stage, they’re up there with you. When you’re on the road in your tour bus, they’re riding shotgun. Don’t take that away.
Give them insight into your life and what it’s like in your world. However, be selective with the details. Always remember, you’re selling music, but you’re also selling a persona.
4. Thinking The Key to Success is Musical Talent, Money, or Looks
Yes, if we’re talking about pop music, MTV, or the major label system, a certain amount of a contrived “image” probably helps sell records.
Obviously, money helps things. And it’s always good if you can sing.
But it’s not “image” that gets somebody on MTV, it’s marketing. It’s not good songs that get people on the radio, it’s marketing. And it’s not money, although it helps. It’s marketing.
You can play well, have money, and look like a model, but if you don’t have the marketing to back you up, none of it matters.
You know what? If you do have a good, solid marketing plan in place (and you’re using it), everything else doesn’t matter so much.
3. Giving Up Power
Keep control as long as you can. Yes, a major label deal will give you opportunity that being on an indie label won’t. And a professional manager has connections that you don’t.
But when you sign with these guys, you’re handing over your career to somebody else. Nobody cares as much about your career than you do. When you and your talent are the most important commodity you have to offer, do not give up your power easily and without a damn good reason.
Your music is worth something. You are worth something. Think of your career as being “virtual real estate” which, if marketed correctly, will pay dividends for years to come. So, treat it like that.
2. Jumping at Every Opportunity
You don’t have to say yes to everything. In fact, sometimes, saying no to something can be more beneficial to your career than saying yes.
Why do you say yes to things? Take a look at your standards and make them higher. As an example, just because a club has a PA system doesn’t mean that it’s worth playing there.
There are some gigs that just aren’t worth playing. There are some
connections that just aren’t worth developing.
When you say yes to something, especially something that takes your time, you’re saying no to everything else. Leave yourself open to saying yes to the opportunities that really matter.
Trust your own judgment. If something doesn’t feel right and you want to say no, it’s ok to say no. At that moment, you may worry you’re passing up a great opportunity and will be missing out. The reality is, better opportunities (that are a better fit for you) will come and you will be ready for them.
1. Not Getting Help
You don’t know everything. This business has been around for a long time–long before you were involved.
Read books, get advice from people who work in the industry and keep studying every aspect of the industry.
Don’t be afraid to ask for help. You can bypass a lot of the problems you’re likely to run into simply by asking people who have already been in, and dealt with, the situations you find yourself in.
Remember this:
Time is worth more than money. You can always earn more money, but you have a limited amount of time.
Don’t waste your time. If you don’t know something, or need specific help, don’t be afraid to pay somebody to help you deal with whatever obstacle you face. Don’t let anything stop you from having all the knowledge and know-how you need to have the success you aspire to have.
By: David Hooper
About the Author:
David Hooper is a music business expert based out of Nashville, TN. He is host of the syndicated radio show, Music Business Radio. For more on David, visit him at http://www.musicmarketing.com/